PXW-FS7 and FS7M2
Click on the links below for guides and information about the PXW-FS7 and PXW-FS7M2 from Sony.
- Using The S-Log3 LUT To Bake In The EI
- Improve the accuracy of manual white balance with the FX6 and FX9.
- New LUT for Sony cameras and S-Log3 – Elixir
- Removing Screws From Sony Cameras
- Using Auto Exposure With Cine EI.
- CineEI is not the same as conventional shooting.
- Should You Use In Camera Noise Reduction Or Not?
- New Arri-Look LUT
- DaVinci resolve Frame Rendering Issue and XAVC
- SDI Failures and what YOU can do to stop it happening to you.
- New LUTs from Sony
- How Good Is The Raw From An FX9 Compared To The F55?
- Beware Fake Sony BP-U Batteries!
- What Benefits Do I Gain By Using CineEI?
- 3rd Party BP-U style batteries And Sony Camcorders (Update)
- XAVC-I v ProResHQ, multi-generation test.
- FX6-FX9 XAVC Card Recording Times
- New LUT – Chess
- Catalyst BRowse and catalyst Prepare Updated.
- Hypergamma LUT’s for the FX6 (and others).
- Sony FX6 Launch
- DIY Assignable Button Labels.
- Sony Introduces Cinema Line and teases the PXW-FX6
- Don’t Upgrade FCP-X or OSX!
- Don’t Panic! The A7S III didn’t just make your big pro camera obsolete.
- ProResRaw Now In Adobe Creative Cloud Mac Versions!
- ProResRaw for Windows Released (beta)
- Making Sony Log Cameras Behave Like Arri Cameras When Shooting Cine EI and S-Log3.
- S709 LUT (Venice Look) And 709(800) For LEGAL RANGE PRORES S-Log3 On Atomos and other Recorders.
- Don’t Convert Raw to ProRes Before You Do Your recording.
- Struggling With Blue LED Lighting? Try Turning On The adaptive Matrix.
- Catalyst Browse and Prepare V2019.2 Released. Includes support for FX9 Image STABILISATION.
- Sony’s XLR-K3M Includes an MI Shoe relocation cable!
- The “E” in “E-Mount” stands for Eighteen.
- Sony’s Internal Recording Levels Are Correct.
- Vocas Sliding Base Plate System.
- Recovering footage from formatted cards.
- Do the images from my Sony camera have to look the way they do?
- Black and White LUT set.
- Film Emulation LUT’s for S-Log3 and S-Log2.
- ProRes Raw Over Exposure Magic Tricks – It’s all smoke and mirrors!
- New Venice Look LUT’s Version 3. Includes minus green LUTs. For FX9, FX6, FS5, FS7, F55, A7S, A7R.
- Replacement Mic Holder for the PXW-FS5 (and others).
- ProRes Raw Webinar – How to use ProRes Raw with the FS5 and FS7
- Free ProRes Raw and Sony Venice Webinars
- Firmware 4.30/1.20 for the PXW-FS7 and PXW-FS7M2 Released. New ISO change in Cine-EI added.
- Hedén VLC Zoom and Focus Control.
- What’s wrong with my viewfinder, my old camera had a much better viewfinder!
- Venice Look LUT’s For 14 stop cameras A7, FS5, FS7, F5, F55 etc.
- Sony Venice LUT.
- Why is the white balance limited to 3 presets when using S-Log2, S-Log3 or raw?
- Revised and improved HLG camera LUT for FS7, F5 and F55.
- ProRes Raw and Atomos Inferno and Sumo – BIG deal for the FS5 and FS7!!
- Beware the LC709 LUT double exposure offset.
- Sony Cash-Back Offer Ends Soon (Europe).
- PXW-FS7 Service Manual
- Use the cameras media check to help ensure you don’t get file problems.
- Scene files for the Sony PXW-FS7M2.
- How does the Panasonic EVA1 stack up against the Sony FS7 and FS5?
- Using LUT’s for exposure – choosing the right LUT.
- Thoughts on: FS7 v EVA1.
- Why are Sony’s ISO’s different between standard gammas and log?
- The Pro’s and Con’s of 12 bit linear raw or recording raw to S-Log.
- Downloadable User Guides For The PXW-FS7 and FS7M2
- Want to shoot direct to HDR with the PXW-FS7, PMW-F5 and F55?
- Why do I always shoot at 800 EI (FS7 and F5)?
- Auto Knee when shooting with Rec-709.
- Camrade PXW-FS7 and PXW-FS7 II rain covers.
- The new Sony FS7 zoom lens, the Sony SELP18110G.
- Important Firmware Update For PXW-FS7. Please Update.
- The great S-Log2 or S-Log3 debate.
- Looking For LUT’s for the Sony S-Log2 and S-Log3 Cameras?
- What does Rec-2020 on the PXW-FS7 II really mean?
- PXW-FS7 II. New camera that does NOT replace the FS7.
- Training Videos for the PXW-FS5 and PXW-FS7
- Revealing Signal to Noise and Exposure experiment for PMW-F5, F55 and FS7.
- PXW-FS7 CineEI Guide Updated.
- Deeper Understanding Of Log Gamma. Experiments with a Waveform Display.
- PXW-FS7 Training Films Parts 4 and 5 released.
- Treat it like a film camera!
- Which to buy F5, FS7 or FS5?
- Why can’t I have LUT’s in S&Q on the F5, F55 and FS7?
- PXW-FS7 Training Videos.
- My PXW-FS7. Add-ons and configuration.
- WYSIWYG LUT’s to play with.
- S-Log2 to Canon LUT’s for the FS7/F5/F55/A7s
- LUT set for S-Log2 in Custom Mode for F5/F55/FS7
- More info on CMOS sensor grid artefacts.
- Tested: Lexar XQD cards in the PXW-FS7 and PMW-F5
- Scene Files (Picture Profiles) for the PXW-FS7
- PXW-FS7. Turn OFF white clip if using Hypergammas!
- Over and Under Exposure LUT’s for the PXW-FS7, PMW-F5 and PMW-F55
- How to create a User3D LUT for the PXW-FS7 and load it in to the camera
- Using the High/Low key function on the PXW-FS7, PMW-F55 and PMW-F5.
- New Film Look LUT’s for the PXW-FS7, PMW-F5 and PMW-F55
- Sony’s new PXW-FS7. First Impressions.
- LUT’s or LOOK’s when exposing via a LUT on the PMW-F5 or PMW-F55 (and FS7).
- What is a Gamut or Color Space and why do I need to know about it?
- Understanding Sony’s SLog3. It isn’t really noisy.
- Correct exposure levels with Sony Hypergammas and Cinegammas.
Ultimate Guide to CineEI on the PXW-FS7: Guide on how to use the CineEI Mode.
Correct Exposure with Hypergammas. How to determine the correct exposure for the hypergammas when using custom mode.
Downloadable film look LUT’s for the PXW-FS7 A set of film like LUT’s that can be used with the PXW-FS7.
Downloadable exposure compensated LUT’s (for use when using a higher or lower EI).
Using the High / Low Key function for exposure assessment.
Creating your own LUT for the PXW-FS7 with DaVinci Resolve.
Downloadable Scene Files for Custom Mode for neutral, vibrant and film like looks.
LUT SETS: