On this page you will find a generic list of some of the information I have prepared for various cameras.
For more specific information on the PXW-FS7, PXW-FS5, PMW-F5, PMW-F55, Alpha or other PXW family of cameras, please use the drop down choices under the Cameras & Setup heading on the menu bar.
- Copying a LUT from a Sony FX camera into DaVinci Resolve.
- New LUT -Incandescent- added to my LUT collection.
- New Free LUT for Sony Cameras -Solitude
- New LUT for Sony cameras and S-Log3 – Elixir
- FREE LUT DOWNLOADS.
- Arri Look LUT updated
- New Arri-Look LUT
- New LUTs from Sony
- New LUT – Chess
- Hypergamma LUT’s for the FX6 (and others).
- Picture Profile Settings For The PXW-Z280
- Black and White LUT set.
- Film Emulation LUT’s for S-Log3 and S-Log2.
- Venice Look LUT’s For 14 stop cameras A7, FS5, FS7, F5, F55 etc.
- Revised and improved HLG camera LUT for FS7, F5 and F55.
- Scene files for the Sony PXW-FS7M2.
- Using LUT’s for exposure – choosing the right LUT.
- Adjusting the Color Matrix
- Want to shoot direct to HDR with the PXW-FS7, PMW-F5 and F55?
- Video Tutorials for the FS5. Picture Profiles and Raw Recording.
- Looking For LUT’s for the Sony S-Log2 and S-Log3 Cameras?
- Picture Profiles for the PXW-FS5.
- Sony PXW-Z150 Review (with picture settings).
- Using S-Log2 and S-Log3 with the Sony A6300 (with LUT’s to download).
- Picture Profiles and scene settings for the PXW-X200
- WYSIWYG LUT’s to play with.
- S-Log2 to Canon LUT’s for the FS7/F5/F55/A7s
- LUT set for S-Log2 in Custom Mode for F5/F55/FS7
- Scene Files (Picture Profiles) for the PXW-FS7
- Over and Under Exposure LUT’s for the PXW-FS7, PMW-F5 and PMW-F55
- How to create a User3D LUT for the PXW-FS7 and load it in to the camera
- New Film Look LUT’s for the PXW-FS7, PMW-F5 and PMW-F55
- Using S-log2 and S-Log3 from the A7S (or any Alpha camera) in post production.
- Set of 20 Cube LUT’s for the Sony A7S.
- How to create a user LUT for the PMW-F5 or F55 in Resolve (or other grading software).
- Correct exposure levels with Sony Hypergammas and Cinegammas.
- Low Light Picture Profile for EX1/EX3
- How I shoot the Northern Lights
- Filming in very cold weather
- Super simple FX30 time-lapse.
- Not all ND filters are created equal.
- Zebras and Log – Use a narrower window/range.
- Microphone Latency – Don’t mix and match!
- Low Light Shooting – S-Log3 or S-Cinetone?
- Timecode doesn’t synchronise anything!!!
- CineEI is not the same as conventional shooting.
- Handy Tips For Using The Sony Variable ND Filter Values.
- My Exposure Looks Different On My LCD Compared To My Monitor!
- SDI Failures and what YOU can do to stop it happening to you.
- Chroma Key and Greenscreen – Should I use S-Log3 or might Rec-709 be Better?
- Chroma Key and S-Cinetone
- What Benefits Do I Gain By Using CineEI?
- Rigging the FX6 – Shoulder mounts, Rod, Brackets, etc.
- There Is No Such Thing As A “12G” SDI Cable.
- A Guide the the FX6’s CineEI Mode.
- DIY Assignable Button Labels.
- Are We Missing Problems In Our Footage Because We Don’t Use Viewfinders Anymore?
- How To Live Stream With The Sony PXW-Z90 and NX80.
- Rigging the PXW-FX9
- PXW-FX9 User Guide Now Available for FREE Download.
- Look after Your Batteries In Lockdown.
- Streaming and Live Feeds.
- Temporal Aliasing – Beware!
- Using User Files and All Files to Speed Up Switching Modes on the FX9.
- How We Judge Exposure Looking At an Image And The Importance Of ViewFinder Contrast.
- Hot Pixels and White Dots From My New Camcorder (FX9 and many others).
- Struggling With Blue LED Lighting? Try Turning On The adaptive Matrix.
- Shooting S-Log3 on the PXW-FX9 – Do I need to expose bright?
- Beware multiple power supplies!!
- Recording the slow motion S&Q output of an FS5 to a normal external recorder (not raw).
- ISO and EI – using the right terms makes what you are doing easier to understand.
- Learning to be a film maker? Don’t shoot short pretty videos – shoot documentaries.
- Noise, ISO, Gain, S-Log2 v S-Log3 and exposure.
- ProRes Raw Over Exposure Magic Tricks – It’s all smoke and mirrors!
- Log and Raw Don’t have highlight a highlight roll off.
- Using an FS5 to shoot in low light – what can I do?
- ProRes Raw Webinar – How to use ProRes Raw with the FS5 and FS7
PMW-350 Scene Files (also applies to other cameras)
Log Style Picture Profiles for PMW-F3 and EX1R
PMW-EX1, EX1R and EX3 picture profiles
Want to learn how to get the most from your camera? Why not come to one of my workshops or seminars.
- CVP Brussels Technology Showcase
- Burano – What’s it like to shoot with Livestream
- Film making workshop in Dubai, 25th May 2024
- Sony Burano Events and Workshops
I was wondering if you had an electronic copy of the F800 Menus
I have made some significant changes to the menubut need to print the menus so I can keep a written copy with the camera…for refrence…
You can download the manual here: http://www.sony.co.uk/biz/product/xdcamcamcorders/pdw-f800/manuals
Hi there,
DO you have any picture profile files I can load into the EX1? thanks
Yes, I have posted some here: https://www.xdcam-user.com/2011/06/ex1-and-ex3-picture-profiles/
I work multi camera productions and see camera control through the sony remote panels like the rcp-920. With the rcp-920 I have access to gamma r, master, b adjustments, not hyper gamma presets. Any idea how these adjustments relate to the standard and hyper gamma selections written about in the article?
All the information I can find so far talks as gamma with one curve with standard or hyper gamma presets, so I am confused with gamma r, master, b adjustments which suggests three curves.
Think of Master gamma as the overall camera gamma. The RCP allows you to alter the gain of this master gamma curve, it is a standard gamma curve. The R and B curves are a subset of the Master gamma. Adjusting Master Gamma adjusts the R, G and B curves together. Then you can adjust the separate R and B curves in case you need to have a colour or hue offset to your gamma. There is no G curve adjustment as this remains fixed by the Master gamma setting.
I shoot a lot on snow (skiing, ect.) Do you have a Picture Profile set up that you would recommend to work best in those conditions?
A lot will depend on whether you grade or not. I’d probably use Cinegamma 3 to avoid any nasty clipping issues and then add a bit of negative black gamma, maybe around -20 to put some contrast into the scene.
grabo en standar con esta camara y las imagenes en la pantalla se ven bien, pero al subirlas al avid se ven quemadas la iamgenes. que hago?
How to adjust focusing point in Sony pxw x 160 on af mode
Hello sir….. pxw 200 good profile settings
For what kind of production? What are you trying to achieve?
focus issue with pxw200
some time the focus locked so i switch off the camera for 20 min than it will back normal any solution for this
Sounds like that needs to be looked at at a repair center.